74,666 Free Images of Colored Etchings

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people ho-chunk etchings of landscapes etchings of trees in the rijksmuseum amsterdam etching print

De visser, Fredericus van Rossum du Chattel, between 1873 and 1892

landscape prints in the rijksmuseum amsterdam fredericus jacobus van rossum du chattel

Androuet du Cerceau, Jacques I 1560 Fontaine des Saints Innocents à Paris - Gallica 2014, Pierre Lescot

historical images of fontaine des innocents jacques i androuet du cerceau

Daguerrotipo de una bailarina de la escuela bolera, hacia 1850, SB-0001 P

19th-century unidentified photographers marie guy-stephan

The Malermi Bible, vol. II, 15 October 1490

luca antonio giunta giovanni ragazzo

Eine Ruine by Rudolf Wiegmann 1841, Rudolf Wiegmann

19th-century etchings rudolf wiegmann

Shepherd with a Dog, Mihály Szemlér, 1864

19th-century etchings mihály szemlér

Battle of Milleker's Bend LCCN2002698356, Frank Leslie, 16 January 1864

frank leslie's illustrated newspaper, 1864 c. e. f. hillen

Kade aan een water in Yokohama met links de pianohandel van JG Doering Creek Side Yokohama (titel op object), RP-F-F01102-AF, ca. 1870 - ca. 1900

rivers of kanagawa prefecture history of yokohama

Trees, Alexander Shilling, 1904

department of american paintings and sculpture, metropolitan museum of art alexander shilling

Trees, Alexander Shilling, 1904

department of american paintings and sculpture, metropolitan museum of art alexander shilling

Domestick amusement: The lovely spinner, James Watson, 1764

james watson (engraver)jean-gaspard heilmann

n130_w1150

The Pissing Cow, Paulus Potter, 1690s

etchings in the national gallery of art (washington, d.c.)baroque,delft school

The Madonna Weeping, Elisabetta Sirani, 1657

prints by elisabetta sirani baroque

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Design for triple light window

tiffany studios art nouveau

Bergachtig landschap met vee, RP-P-1886-A-10184, Johannes Janson, between 1761 and 1784

etchings of landscapes 18th-century etchings

Bergachtig landschap met vee, RP-P-OB-47.932, Johannes Janson, between 1761 and 1784

etchings of landscapes 18th-century etchings

Bergachtig landschap met vee, RP-P-1886-A-10183, Johannes Janson, between 1761 and 1784

etchings of landscapes 18th-century etchings

Bergachtig landschap met vee, RP-P-OB-47.933, Johannes Janson, between 1761 and 1784

etchings of landscapes 18th-century etchings

Bergachtig landschap met vee, RP-P-OB-47.934, Johannes Janson, between 1761 and 1784

etchings of landscapes 18th-century etchings

Auguste Rodin MET DP878360

pd-old-100-expired cc-pd-mark

Auguste Rodin MET DP874508

pd-old-100-expired cc-pd-mark

Jean-Baptiste Lully 1

17th-century engraved oval portraits of men at bust length lace in art

Mercury and Argus, Jacob Jordaens, 1652

flemish baroque painting,baroque remoldus eynhoudt

View of the Liechtenstein Fortress and the newer castle, Laurenz Janscha, 1801

prints in the national museum of slovenia etchings by lovro janša

Hilly landscape with trees and a river in the distance on the right, Jacques Fouquier, between 1653 and 1665

prints after jacques fouquier baroque

Italiaans landschap met herder te paard en vee bij rivier Italiaanse landschappen (serietitel), RP-P-BI-6795, Dancker Danckerts, between 1643 and 1666

prints by dancker danckerts in the rijksmuseum amsterdam works after nicolaes pietersz. berchem

Italiaans landschap met herder te paard en vee bij rivier Italiaanse landschappen (serietitel), RP-P-H-R-50, Dancker Danckerts, between 1643 and 1666

prints by dancker danckerts in the rijksmuseum amsterdam works after nicolaes pietersz. berchem

Italiaans landschap met herder te paard en vee bij rivier Italiaanse landschappen (serietitel), RP-P-BI-6796, Dancker Danckerts, between 1643 and 1666

prints by dancker danckerts in the rijksmuseum amsterdam works after nicolaes pietersz. berchem

Italiaans landschap met herder te paard met vee bij rivier Italiaanse landschappen (serietitel), RP-P-1943-617, Dancker Danckerts, between 1643 and 1666

prints by dancker danckerts in the rijksmuseum amsterdam works after nicolaes pietersz. berchem

Female Nude on the Beach of Fehmarn, Ernst Ludwig Kirchner, circa 1914

paintings of nudes by ernst ludwig kirchner expressionism,expressionism

Postcard of Ljubljana 1917 (2)

postcards of the ljubljanica in ljubljana 1917 postcards of ljubljana

CHA-CO-TO, A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-CHE-CO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WADT-HE-DOO-KAANA; Chief of the Winnebagoes, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NA-SHE-MUNG-GA, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

THE SON; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Chippeway Woman and Child, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BREWETT; A Celebrated Chief Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

BILLY SHANE; A Shawnee Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Prairie Wolfes Attacking a Buffalo Bull Plates from Catlin's North American Indian Portfolio. Hunting Scenes and Amusements of the Rocky Mountains and Prairies of America, George Catlin, ca. 1865

lithographs by george catlin realism

A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-ME-ONE or Rain; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAN-NO-SA-QUA; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Young Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHE-SHEBA or The Little Duck; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Do You Want Any Matches?, Francis Wheatley, published 1794

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Round and Sound, Five Pence a Pound, Duke Cherries, Francis Wheatley, published 1795

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

THE LITTLE CROW, A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PACHE-E-PO; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

Africa Agreeable to the Most Approved Maps, Thomas Conder, 1778

maps by thomas conder 1778 maps of africa

PE-A-JICK; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-KAUN or the Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A New Love Song Only a Ha'Penny a Piece, Francis Wheatley, published 1796

engravings in the national gallery of art (washington, d.c.)works after francis wheatley

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MI-A-QU‑A; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Africa Drawn from the Latest Authorities, Thomas Kitchin, 1780

maps by thomas kitchin 1780 maps of africa

A Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ME-NO-QUET; A Distinguished Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Brühl pri Modling, Laurenz Janscha, 1893

prints in the national museum of slovenia etchings by lovro janša

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